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Carter Lee is a bassist/educator/producer. He is originally from Edmonton, Canada and now resides in Brooklyn, NY. In addition to leading the hip-hop group, Tiger Speak, Lee is the music director for the bands of both Shea Rose and Moruf. He is also a sideman for countless other artists. Carter brings his wealth of experience in many different musical situations to the Soundfly team and is eager to help any musician who is hoping to better their band. Check out his course Building a Better Band on Soundfly today!
Pope Joy Hall houses many international acts. It’s the one place where you can see Irish dance, A Tribute to the Beatles, The Book of Mormon, or solo Jack White all under the same roof. Put it simply: The acts that perform here are usually world renowned and worth the ticket price.
The form here is seemingly as sparse as the accompaniment, and it’s just about the most “organic” thing I’ve seen so far in this study. After eight bars of verse, he introduces what will be the refrain lines (you really can’t call it a chorus because it’s only two lines over four bars). But then there’s a big stretch of verse at a non-standard, “just-feeling-it-that way” 36 bars, and then, just cutting this dough with his fingernails (as in, no pre-made cookie-cutter shapes), Drake gives us six bars of the “my head is spinning” sample, followed by, for some reason, only one of the refrain lines? Then there’s eight more bars of the sample and, following that, a mammoth verse section weighing in at 56 bars. To close it out, we get that refrain/sample combo again, but this time it’s punctuated with the first refrain line, and then the next line. Pretty innovative organization.
Most importantly: Have fun with it. The chances are you won’t have any huge sponsors in the early stages of a podcast, so use those opening episodes to fine-tune your process and overall sound. Having professional, clean sounding audio will make the difference between listeners taking you seriously and not.
The resources in timbre are also quite limited, as the piece is composed for a single instrument. The piano is a great instrument with regards to dynamic range, but not quite as versatile in terms of timbre. The problem that springs from these limitations, especially the first, is how to fulfil the needs of a musical composition to provide enough variety so that the music would engage the listener, have forward momentum, and contain a sense of tension and resolution, which is fundamental for musical syntax.
For Lalita, a trained cellist, she is without work indefinitely and running out of money quickly as she shares all resources with family and friends in need. Sunday night, only hours after cooking at El Local, she suffered a panic attack, she says, which led her to make an agonizingly difficult decision.
Focus: Understand how to use Logic Pro thoroughly and to improve recording and mixing, as well as composition and songwriting skills using both audio and software instruments and samples.
Tyrell N6 is an emulation of the famous Roland Juno 60 polyphonic synthesizer. It features two oscillators, a noise oscillator, a ring modulation, and over 500 presets to choose from. The Tyrell N6 synth comes with chorus, overdrive, and filter feedback on board. This synth also has an oscillator drift feature that emulates the original Roland Juno 60 for a very authentic sound.
Give yourself a very clear sense of what you’re hoping to accomplish and discuss it with your engineer(s) ahead of time. For me, that looks like setting some clear “Must-Haves” (e.g. all the bass tracks for the entire album) and then a few “Nice-to-Haves” (e.g. a random track of all of us hollering like banshees). Accomplish the “Must-Haves” first and then allow yourself to go crazy on the “Nice-to-Haves” with whatever time you have left.
In this new series of spotlights, we’re introducing our full roster of Soundfly Mentors so you can choose who you want to work with on your next project!
I mean, I would’ve loved to have been there, and I would’ve relished that sacred moment of being in bodily proximity to Jigga. But what did Jay Z really do here that is so unlike the typical process of recording and producing an album, and then throwing a killer party to release it?
I’ve always been a vinyl lover. The entire time I spent digging through crates or discovering new music through online channels, I kept thinking the same things: