This Beatles chiptune comp features some of the most imaginative and unexpectedly brilliant reinterpretations of everyone’s favorite songs from everyone’s favorite band.
Not every house show needs to be strictly acoustic, but most don’t provide the space or gear for earth-shattering volumes or fancy sound effects. These limited setups sharpen an artist’s performance skills and often lead to new creative interpretations of their music, and more comfort in one’s ability to make do.
It may sound corny or cliché, it may sound like bad advice at first, but “fake it til you make it” is one of the core tennets of visualizing your success.
Patrick McGuire is a writer, musician and human man. He lives nowhere in particular, creates music under the name Straight White Teeth, and has a great affinity for dogs and putting his hands in his pockets.
Royalty Exchange works with all the performing rights organizations to help their members collect these payments in advance. Learn more about how they can help you collect years’ worth of royalty income today. And learn more about royalties in general with Soundfly’s free online course, How to Get All the Royalties You Never Knew Existed.
Jeremy is a Montreal-based musician, sound artist and improviser who loves giving advice to emerging artists on how to make their tours more effective. He writes, records and performs electroacoustic “concrète” music for tape, oscillators and amplified objects and surfaces, as well as solo guitar. He has performed and released material throughout Europe and the UK, Asia, the US and Canada, mostly with his trio Sontag Shogun.
You need to select your sample group of critics very carefully. Ask honest opinions of people who you believe to have a decent understanding of music and who are passionate about the genres you’re exploring. This way, you can avoid irrelevant opinions that won’t serve you.
Carter Lee is a bassist/educator/producer. He is originally from Edmonton, Canada and now resides in Brooklyn, NY. In addition to leading the hip-hop group, Tiger Speak, Lee is the music director for the bands of both Shea Rose and Moruf. He is also a sideman for countless other artists. Carter brings his wealth of experience in many different musical situations to the Soundfly team and is eager to help any musician who is hoping to better their band. Check out his course Building a Better Band on Soundfly today!
Whether you’re drafting demos for your next album, producing a 30-second spot for a video or beats for an electronic project, or actually tracking an entire album with your band in your living room, combining the comfort of your domestic space with business-like workflow habits and studio quality gear can lead to great results — so long as you don’t fall through one of the many trap doors inherent to this way of working.
The chorus is also not what most would consider a traditional “hook” (though, that’s probably the point). Plus, the pre-chorus is doubled, and it precedes (I mean, “abuts”) no chorus the second time, making it seem like maybe this section should be called the chorus instead — but yeah, he didn’t name the song “Get Your Money,” did he? So there. The guitar plays solid chord types I and ii, and you can hear the I, IV, and V chords in what the choir is singing as well, but whether they’re fully there is somewhat subjective since they’re only harmonizing thirds and not whole triads.
You might feel like your project is ready to tackle your town’s biggest and hippest venues, but the folks who book talent at those places almost certainly feel otherwise. Venues demand that the acts who frequent their stages bring in lots of people because their business models depend on it. But even if you’re certain you’ll be able to draw huge crowds for your first local shows, you should still look for modest places to play when you’re just starting out.
Marty Fowler is always searching — searching for the right harmony, the right note, the best way to compose a new track, the path to musical enlightenment. As a highly in-demand bassist and electronic musician, he gets around. We caught up with him to find out a little more about what drives him.
So, if we’re capturing vocals, our vocalist would be in there. If we’re capturing an electric guitar, the guitar player would sit in that room with the guitar, his amp, and any microphones or lines out to capture the sound. Everything else, including noisy bandmates like myself, would be in the “control room.”